Coin Purses Are Here June 01 2016, 0 Comments
These coin purses are the perfect size for stashing credit cards, coins, and folded bills. This organic cotton stone-colored twill purse is printed with water-based inks, lined with bright blue organic cotton fabric, and finished with a high-quality brass and organic cotton zipper.
Crafty Wonderland Spring Art and Craft Market May 10 2016, 0 Comments
Crafty Wonderland is one of the best and biggest craft fairs in Oregon. Come visit me and over 225 of of my fellow Pacific Northwest artists and makers at the Convention Center.
Trunk show with Siri! May 04 2016, 0 Comments
My talented jewelry-designer friend Siri will descend from her magical mountain studio to have a trunk show with me on May 19th. Please mark your calendar! Click here for the Facebook event page.
Thursday, May 19th, 4pm-8pm
Ecotrust First-Floor Atrium, 721 NW 9th Ave
Siri works from her studio in the mountains of Washington State where she hand fabricates jewelry from recycled precious metals. Trained in ancient goldsmith techniques in Italy, she brings contemporary and wearable design to the craft. www.SiriJewelry.com
Happy Saturday April 30 2016, 0 Comments
I'm busy working in the studio this weekend. See you at Saturday Market next Saturday!
Mama! April 28 2016, 0 Comments
Mother's Day is 10 days away! Get your mama (or a mama you love, or you) something nice and Silvania will give you free shipping on domestic orders through Mother's Day. Use discount code MAMA at checkout.
Mari and Kim April 26 2016, 0 Comments
Two women, one in Germany, one in Japan, are comparing notes on their collections from the '80's on the Silvania Facebook page. Thanks for the pics, Mari and Kim!
"Me,1983, in Lima, Peru, wearing a Silvania Prints dress. The colors were so bright and rich, people on the sidewalk parted to watch me go by. The dress is in storage, but I still have the purse that went with it." -Kim
"Wow! What a coincidence! It is a exactly the same textile as I have." -Mari
At the Saturday Market. On Sunday. April 24 2016, 0 Comments
Bundled up at the Portland Saturday (and Sunday) Market. Receiving visitors under the Burnside Bridge until 4:30pm.
Come see me! April 23 2016, 0 Comments
Hey Portland! I'm at the Saturday Market! I have some lovely aprons, dresses, placemats, and napkins for sale. Also, Sophie took the max to help me set up at 8am, confirming my suspicion that I am the luckiest big sister in the world. Find me under the Burnside Bridge today 'til 5, tomorrow 11-4:30.
Pallay April 09 2016, 0 Comments
I received a message from an Argentine Silvania fan who bought this shirt in 1986 on a trip to Lima and still wears it. She told me: "Celebro tu decisión de seguir con ese fantástico emprendimiento... ¡tu abuela, y las mujeres latinoamericanas lo merecemos!!!" Translated: "I celebrate your decision to carry on this fantastic venture...your grandmother and Latin American women deserve it!!!" What better motivation is there to get to work, albeit on a Saturday?!
Studio selfie April 08 2016, 0 Comments
Print maiden with squeegee.
Screenprinting blue llama twill April 06 2016, 0 Comments
About to fill in the gaps on this blue llama twill...check out Silvania's Instagram @silvaniaperu to see the finished fabric and many more images of my creative process.
El Comercio April 05 2016, 0 Comments
Among the postcards: a clipping from El Comercio about Silvania when my mamama closed her Miraflores shop in 2004. I was with her in Lima when they wrote the article, feeling my first sparks of inspiration not to let Silvania go.
I have a new screenprinting table. February 11 2016, 0 Comments
The past couple weeks, I've put together a screenprinting table that's two feet wider and double the length of my first screenprinting table, which I built with my dad. Our pressboard-on-sawhorses did the trick for a while, but as I ramp up production, a larger printing surface speeds up the process by a lot.
I ordered this table from a supplier in LA that sells equipment for the garment industry. Putting the thing together was a bit of a chore, but I now feel like I've got the tools to make Silvania grow out of hobby-status and into a business that will, with any luck, support me. I may even be able to move the operation out of my basement this year.
This table, though. It's going to be a beast to move.
In production January 29 2016, 0 Comments
These days, I'm working on building inventory for market season. Here's a batch of organic cotton sateen cuzco napkins I just finished.
Silvania Trunk Show at Las Primas December 01 2015, 0 Comments
Friday, December 4th
5:30pm - 8:30pm
Las Primas, 3971 N Williams Ave, Portland
Enjoy a drink or dinner at Las Primas and shop Silvania's new products. Las Primas, Spanish for "the cousins", is the North Williams restaurant of real-life cousins Catalina Acuña and Sadie Morrison. They serve food inspired by the fresh, flavorful street food of bustling Lima. I will be there with new Silvania products so fresh they aren't even on the website yet.
How I Screenprint Yardage November 09 2015, 1 Comment
A friend of mine recently asked me how I screenprint yardage, so I set up my camera on a tripod in my studio to document my first time printing 'Pasto'.
The technique I use for screenprinting yardage is not only the old-school method, it's the ultra-low-tech, do-it-in-your-basement variety. My grandmother's screenprinting workshop used the same method, but her equipment was much bigger and better. Behold:
Most of the screenprinted fabric you see in modern clothing is printed using a completely different method, in which silkscreens are cylinders and the printing table is a conveyer belt. I have had fabric printed this way in a large factory in Lima. While the process lacks the charm of manual yardage screenprinting, it's easier to print wider fabrics and it's a whole lot faster. Here are the cylindrical screens used to print my fabric the modern way:
So if modern factory screenprinting is the most efficient, why don't I stick with that? Well, I absolutely plan to when I have a few hundred yards of fabric to print all in one go. But because this expensive machinery is run by engineers, factories require minimums to print yardage - usually several hundred yards per print, per color. While I work up to those quantities, I'll stick the more rustic (albeit more labor-intensive) process.
I built my screenprinting table (with more than a little help from my dear dad) by covering a table-top with wool batting and canvas, pulled taught and secured around the edges of the table. My t-square keeps the screen lined up straight across the width of the table. I made it with a couple of pine 1x4s.
There's a bit of set-up each time I screenprint fabric, especially when it's a new screen.
Step 1: Spread the fabric across the table, iron it to create a flat printing surface, and pin the edges down to keep it in place. Cover pins with masking tape to keep them from damaging the screen.
Step 2: Measure the repeat length - the length of the print. The ideal is for the prints to fit together like puzzle pieces, so it's important to measure exactly. The length of this print is 14 7/8" and trust me, one eighth of an inch is the difference between success and failure.
Step 3: Mark the repeat measurements on masking tape down the length of the table. These are the registration marks that I'll line up my screen with to fit together the "pieces of the puzzle", if you will.
Step 4: Line up the t-square with the first repeat mark on the table, and then create a mark on the t-square itself to line up the bottom corner of the screen. And with that, I'm ready to print.
Step 5: Pour a generous dollop of ink along the entire edge of the design. Where you see yellow on the screen is where the ink will pass through the screen. The dark green is photo emulsion which prevents ink from passing through to the fabric. Place a squeegee in the dollop of ink and push it away with light pressure to coat the design entirely. This is called "flooding" the screen.
Step 6: Bring the squeegee to the far side of the screen, push down, and pull the squeegee across the screen with firm pressure. The number of strokes across the screen depends on the screen density, squeegee hardness, ink, and fabric, so getting the print to come out just right often takes a bit of practice.
Step 7: Repeat at every other registration mark, leaving spaces between prints. Why print at every other registration mark? The screen is bigger than the print, and if I were to print the repeats continuously all at once, the screen would pick up wet ink from the surrounding prints and smudge the fabric. So for now I just print at every other registration mark and wait for those prints to dry. In the meantime, I'll collect excess ink from the screen to use again and wash my screen and squeegee.
Step 8: It takes about half an hour for the first set of prints to dry, along with the screen and squeegee. When they're ready, line up the t-square and screen at the remaining registration marks and fill in the gaps.
Step 9: Let the ink dry, then set it with an iron.
All the repeats fit together to make a continuous print. Check out how one repeat completes the next in the two images below.
Today I printed Cuzco all day long. November 05 2015, 0 Comments
Silvia in the Market June 18 2015, 0 Comments
Silvania products from 1974 June 18 2015, 0 Comments
I recently received this email from a very kind customer.
"Reviewing my letters from Peru I wondered if "Silvania Prints" still exists. Well this way I found your shop. I don't know if you are interested, but I send you some pictures of things we bought in 74 and the flyer we got."
Victor and Silvia ca. 1952 May 28 2015, 0 Comments
Real men cut the cake with a machete. My grandparents in New York circa 1952.
Silvania ca. 2003 May 27 2015, 0 Comments
Silvia in the Selva (in Silvania), 1950's May 21 2015, 0 Comments
In The Stude: Reinterpreting My Grandmother's Prints December 05 2013, 1 Comment
Aunt Victoria October 10 2013, 1 Comment
I'm fresh off the plane from Europe, where I spent two weeks visiting friends and family from Rome to London. One of many inspiring moments of the trip was flipping through my aunt Victoria's modeling portfolio while hearing stories about her from my cousin Phillippe. She's precisely the kind of woman who inspires me to design; strong, smart, and adventurous. She left modeling to become a neurobiologist at a laboratory in Paris. An animal lover, she collected unusual pets including a lizard who made its home in her Paris apartment bathroom.
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